Future and Metro Boomin’s Best Songs: Ranked

The combination of Future and Metro Boomin creates one of the most talented rapper-producer duos in the history of Atlanta rap, and we are looking forward to hearing a great deal of new music from them. They will release two collaborative albums, We Don’t Trust You on March 22nd and another album on April 12th, in the following month.




Since he was a freshman in college, Metro Boomin has been working with Future. He has executive produced some of Hendrix’s most iconic tapes, such as Monster and Purple Reign, and he has also handled most of the hard lifting on numerous blockbuster albums, such as What A Time To Be Alive and DS2.

Future and Metro Boomin's Best Songs: Ranked
Future and Metro Boomin’s Best Songs: Ranked

They had collaborated on numerous legendary trap recordings by this point, serving as the soundtrack for both college parties and strip clubs. Through the use of snares, Metro is able to transform Future’s complicated codeine admissions into trap gospel. Metro achieves this by highlighting the rapper’s distorted choices. Both of them are Atlanta veterans, and they complement each other in a way that nobody else could.




During the time that we are waiting for their new albums, we have compiled a list of the top ten tracks that Future and Metro Boomin have created together up to this point.

Metro Boomin, Future, Chris Brown, “Superhero” (2022)

Because Heroes & Villains is Metro Boomin’s most cinematic album to date, it is only fitting that Future makes an appearance early on in the film with its second single, which comes from the album. Using a combination of booming trumpets and traditional trap snares, Metro creates an atmosphere that is conducive to Future revealing what he would look like if he were a superhero.

While operating a drop-top batmobile, wearing Cuban link chains is a common sight. And what else? Additionally, the delicate sample of Jay-Z’s line from Kanye’s “So Appalled” serves as the ideal complement to the massively successful hit.




 Future, “Honest” (2014)

In the past, Future has never failed to convey his emotions to us, whether they are positive or negative. This does not necessarily imply that he is telling the truth, but at least he is being truthful. The title track from his second studio album, Honest, allegedly drew inspiration from comments made by one of his baby mothers in 2014, who accused him of lying about his net wealth.

This is the second lead single for the album, and it has the makings of everything that the rapper would become famous for later in his career. Given the history of the situation, it is even more fascinating that Future picked this to be the second lead single for the album. Future’s high-pitched crooning showcases his vocal range as a rapper, and the gentle pianos that Metro adds to the beat serve to lighten the strong bass that comes before it. Next, Metro’s use of pianos serves to lighten the heavy bass.




Future for the Weeknd, “Low Life” (2016)

“Low Life” peaked at number 52 on the Billboard Hot 100 charts, but its inclusion in Grand Theft Auto Online in 2016 made it the most popular song in the virtual world. It was the lead single for Future’s album Evol, and although the combination appeared to be improbable to some people at the time, it all came together in a way that made perfect sense.

Future and Metro Boomin's Best Songs: Ranked

The song “Low Life” has the sound of the kind of music that you might hear if you were sneaking through the corridors of a club that was subterranean and had poor lighting in a scene from Uncut Gems. Abel and Future appear to have made off with a portion of the money that Howard Ratner was attempting to win, as evidenced by the several flexes that they perform in the song.




Future, “Stick Talk” (2015)

There are a few components that are essential to the success of every Future and Metro song, including a production that is heavy on the bass, a hook that anyone will remember, and an excessive amount of energy. At strip clubs and college homecomings all around the United States, “Stick Talk” is causing alarms to go off because it satisfies all of those requirements and so much more.

The production is not particularly sophisticated, with Metro combining a straightforward four-count beat pattern and accompanying snares with a periodic siren that helps give Future’s vocals even more of a bounce than they normally would have. Despite the fact that you are unable to comprehend those bars due to the fact that “you are too soft,” the song nonetheless resonates with you.




Future, “My Collection” (2017)

 

Because Future discovers fresh and twisted ways to talk about his exes and because Metro figures out how to make the highly toxic song seem like a love ballad, “My Collection” has the potential to be the most musically significant song that Future has ever released.

Future and Metro Boomin's Best Songs: Ranked

On the HNDRXX cut, Future views his former lovers as objects that he refuses to relinquish ownership of (even after they’ve parted ways), and Metro lines the song with faint vocals that make it sound more like a romantic record than what it actually is: a toxic confession that Future can’t let go of women from his past. Metro is the only band that has the ability to convert a hook like “Even if I hit you once, you’re part of my collection” into a successful song rather than a social media apology waiting to happen.




Future, “Purple Reign” (2016)

Taking the name of Prince’s legendary song “Purple Rain” and making it his own is something that only Future could do. In the outro of his sixteenth mixtape, which is a predecessor to Moneybagg Yo’s “Wockesha,” Future personifies Codeine as his girlfriend, with whom he has an emotional bond.

This is a precursor to Moneybagg Yo’s song. However, Metro’s production makes the entire thing feel regretful as if acknowledging the physical and emotional weight of continuing any unhealthy connection. The title of the song plays on the idea that Future’s successful reign in rap is related to his relationship to Lean, but the song itself sounds regretful. With its gloomy tempo and Future’s introspective lyrics, “Purple Reign” is one of the tracks in his catalog that has the most layers of complexity.

Future, “Mask Off” (2017)

Over the course of 2017, the use of flutes in rap tracks achieved triple platinum status, with “Mask Off” being the song that led the movement. Metro sampled Carlton Williams’ “Prison Song” and combined it with traditional trap production to create Future’s highest charting single at the time.




The song reached its highest position on the Billboard charts at number five. The song became extremely popular on the internet, resulting in a multitude of freestyles (in addition to a remix with Kendrick Lamar) and prompting individuals to reproduce the beat using a variety of objects. Even after seven years, it continues to be just as challenging.

Future, “Wicked” (2016)

Metro Boomin and Southside produced the song “Wicked,” so well-crafted that it doesn’t matter that Future pronounces “wicked” instead of “wiggle” on the hook; it still elicits screams in the club.

The song “Wicked” portrays the Atlanta rapper as particularly cruel towards ladies and his rivals in the rap game, as implied by the song’s title. However, in this particular instance, what Future is stating regarding the song is not the most interesting thing that is taking place in it. It is the manner in which Metro and Southside make their drum kits operate in unison with each other that adds layers to Future’s performance without distracting from it.




Future, “I Serve The Base” (2015)

The production choices that Metro Boomin made for “I Serve the Base” are, without a doubt, totally wild and not in a negative way. This music has a startling psychedelic beat that can deceive you into thinking that you are tripping on acid in the middle of a mosh pit. When you listen to a song by Future and Metro, you anticipate hearing certain things, and this track turns those expectations on its head.

Despite the fact that it seems as though some of these sounds shouldn’t even be there at all, such as the inexplicable wailing sound that is hidden behind those ear-piercing bass drums and sci-fi static, Metro, a mad scientist, manages to find out how to make it all work. In this context, the word “base” might have multiple meanings. It could be a slang term for crack cocaine, or it could be a reference to the devoted “fanbase” that Future is servicing with this song. However, my interpretation of it is that it means that Metro is quite literally serving earth-rattling bass to the public.




Future, “Thought It Was a Drought” (2015)

Future and Metro Boomin's Best Songs: Ranked

Almost all of the songs featured on DS2 credit Metro Boomin as a producer, contributing significantly to its status as one of Future’s best albums. The Atlanta rapper is at the pinnacle of his abilities in the song “Thought It Was A Drought,” which transforms what could be construed as an addiction to cocaine into a street classic. Future became a damn-near ambassador for the premium sandals line as a result of the line “I just fucked your bitch in some Gucci flip-flops,” which was one of the most changeable lines of the 2010s.




But the thing that really sets “Thought It Was a Drought” apart from other songs is the fact that it has a great deal of cultural significance despite the fact that it is extremely unrelatable. In spite of the fact that most financially responsible adults are unable to purchase Gucci flip-flops and that drinking codeine is not a typical pastime, Future’s silky delivery and Metro’s even smoother rhythm make it seem as though these things are an everyday occurrence. Herein lies the scope of The Wizard’s abilities.

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